![]() ![]() Costumes remain the same despite the different seasons. Weather is described in every act and made clear by the actor’s movements rather than the costumes. The costume of a performer basically designates his or her role on stage no matter when or where it is. There are certain basic rules of costume tradition: ![]() It was much later then did the people started using satin and silk, decorating the costumes with meticulous embroidered patterns. Back then, opera costumes were mainly made of wool or coarse cloth. Pictographic make up (refers to animal-like facial designs)Ĭostumes are a crucial aspect of Peking Opera as well. Mood make up (refers to changing and altering facial designs) Decorative make up (refers to decorated faces) Personality make up (refers to the facial designs, painted faces) įace painting in Peking Opera falls into four categories: The characters are provided with different facial make up, which reflects the character’s identity, status, personality and appearance, intensifying the artistic appeal on stage. The types of facial make up in Peking Opera are the most systematic and sophisticated one. Recently, most of the performers use face painting instead, so as to let them express more emotions through their facial expressions. ![]() There were also masks made of simpler materials like paper and tissue with bases made of silk as well. These opera masks were generally made of ceramic material. ![]() It was easier for the performers to play various different characters in one show as they could change their ‘faces’ several times and using masks made it easier. The main method of make up in Peking Opera used to be masks. ![]()
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